Review of End of Watch


Writer-director David Ayer really likes cop movies. He’s done all kinds, from frivolous fun (S.W.A.T) to police corruption (Street Kings, Dark Blue, Training Day). These movies have all been riveting in their own way and “End of Watch” is no exception, but this is fairly new territory in that it really breaks down the brotherhood of cops.

Jake Gyllenhaal and Michael Pena play Brian and Mike, South Central partners declared ready to return to active duty once a shooting of theirs is deemed justifiable. Their patrol consists of the usual dirtbags, intolerable cruelty, and chances to play hero (save some kids during a house fire, make a huge drug bust) but its on an assignment that they hope could up their pay grade to detective that they discover drugs are not the only thing being bought and sold.

Ayer has constructed a drama that has all the single-camera grittiness of some of the best cop shows like “Southland”, the blood, violence, and street slang are all there. His one misstep is confusingly filming most (all?)of this through the camcorders or button-cams of his characters, at times its difficult to determine who is and how are they filming this shot. But mostly this is about guys united by a job to serve and protect, not just the community, but each other. Gyllenhaal and Pena have a perfect comradery, from the way they joke around to how they talk about personal relationships to the close Uncle-like way they fit into each others families. They also work well in action scenes, taking on a no-nonsense intensity.

While cops having loyalty and infinite gratitude for the guys they stand with, and the guys who have fallen in the service of saving their partners and others, is not exactly anything new, “End of Watch” portrays a partnership that is actually pretty hilarious and surprisingly touching, and it succeeds in being a respectful, truer version of guys doing the job than you usually get to see.